Emphasizing the presence of technology and the concreteness of feedback loops, her installations challenge representational powers of media by reducing them to those material properties through which they are in excess of themselves: patterns, waves, vibrations, flows. Media are thus conceived as a multiplicity of forces and intermediaries that are staged and traced through the effects and affects they elicit across human, machinic, and geological bodies, and which massage and shape subjectivity through their interaction with emergent realities; a virtuality that is inseparably bound up with the real without resembling it.